Biography on jean-michel moreau
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Selected Group Exhibitions
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Artist's alternative names: J. M. Moreau, Dungaree Michel Moreau le Jeune
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JEAN-MICHEL MOREAU, called MOREAU LE JEUNE ()
AN AUDIENCE WATCHING A NAUTICAL PERFORMANCE,
POSSIBLY A FÊTE ORGANISED BY THE DUC D'ORLEANS
Bears dealer's stamp l.l. (L)
Watercolour with pen & ink and black chalk on paper
x cm
PROVENANCE:
With Jean de Cayeux, Galerie Cailleux, Paris (Lugt )
EXHIBITED:
Paris & Geneva, Galerie Cailleux, Des Monts et des Eaux, , 23 September - 30 October & 17 November - 17 January , , no. 20;
Paris, Galerie Cailleux, Le Dessin en Couleurs - , 5 June - 13 July , no. 35
Jean de Cayeux wrote in the catalogue note for the present work, when it was exhibited in , that the subject is believed to be a Fête which took place in Saint-Ouen in , organised by the Duc d'Orléans. There exists a study for this work in black chalk, which was once attributed to Augustin de Saint-Aubin, which is a preliminary study for our sheet (location presently unknown).
Moreau le Jeune drew at least one further nautical-themed celebration, La Fête de la Fédération, le 14 juillet , on a much larger scale but in just pen & black ink, with that work offered at Artcurial, Paris, , Lot
Jean-Michel Moreau, known as Moreau Le Jeune to distinguish him
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Jean-Michel Moreau
French draughtsman, illustrator and engraver
Jean-Michel Moreau (26 March – 30 November ), also called Moreau le Jeune ("the younger"), was a French draughtsman, illustrator and engraver.
Biography
[edit]Moreau le Jeune, as he is usually called,[1] was born in Paris. He was the pupil of the painter Louis-Joseph Le Lorrain who accompanied his master to St Petersburg in when Le Lorrain went to be the first director of the Saint Petersburg Academy of Fine Arts established the previous year, where Moreau briefly taught drawing before returning to Paris in , after Le Lorrain's unexpected death.
He worked for the engraver Jacques-Philippe Lebas, producing reproductive drawings of contemporary paintings and those of Old Masters for engravers to work from and learning etching During the s he also provided drawings to be engraved for the Recueil d’antiquités of the comte de Caylus, who kept a benevolent watch over him. For Diderot and Alembert's Encyclopédie he provided pen and wash drawings for the engravers, illustrating artisanal processes. As an engraver he collaborated with François Boucher, Hubert Gravelot and others on illustrations for an edition of Ovid's Metamorphoses.[2]
In Moreau married Françoise-Nicole Pinea