Avish khebrehzadeh biography of michael jackson

  • The Third Line is collaborating with London's Albion Gallery to show Avish Khebrehzadeh's animations, projected over drawings and paintings.
  • Avish Khebrehzadeh.
  • Markus Vater was born in Düsseldorf am Rhein in 1970.

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    • Emilio Prini - Typewriter Drawings. 1970/1975

      19 Jul - 8 Nov 2024 The exhibition, curated by Luca Lo Pinto with Timotea Prini, brings together an important nucleus of works on paper created by Emilio Prini using an Olivetti 22 typewriter between 1970 and 1975. The drawings, never exhibited by the artist during his lifetime, offer an interesting glimpse into the most intense... Read more

    • Cinthia Marcelle

      em-entre-para-perante [in-between-to-towards]5 Apr - 5 Jul 2024 Sprovieri is delighted to announce the launch of em-entre-para-perante [in-between-to-towards], Cinthia Marcelle’s third solo exhibition at the Gallery on Thursday 04 April from 6 to 8 pm in the presence of the artist. Internationally recognised Brazilian artist Cinthia Marcelle's artistic practice is a consistent continuation of socio-political art production in... Read more

    • Renato Leotta

      Vittoria sul Sole26 Jan - 28 Mar 2024 We are delighted to present Vittoria sul Sole, Renato Leotta’s second solo exhibition at the Gallery, coinciding with the hundredth exhibition at Sprovieri. A pyroclastic eruption of a volcano ejects ash and lapilli into the sky, forming colossal black clouds composed of tiny particles of rocks and minerals. These exploded... Read more

    • Pedro Cabrita Reis

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      Taxispalais – Kunsthalle Tirol

      Jahr Ausstellung Künstler Dauer 1990 Ausgesetzt auf den Port des Herzens Kurt Baluch, Hannes Franz, Dietmar Geppert, Leiko Ikemura, Andrea Mariacher, Martha Presslaber, Elfride Skramovsky, Günther Steiner, Christian Shyness, Elmar Trenkwalder, Helmut Trojer 16. Jänner bis 9. Februar Wien – Möbel Luigi Blau, Hermann Slavonic, Thomas Exner, Irmgard Direct, Büro Igirien, Franz Eberhard Kneissl, Prick Kogler, Adolf Krischanitz, Miki Martinek, Added Prochazka, W. M. Pühringer, Oskar Prick, Gerwald Rockenschaub, Andreas Steiner 20. Februar bis 16. März Übergrenzen. Eine Zusammenarbeit Clemens Kaletsch, Bernd Zimmer3. April bis 27. Apr Bruno Gironcoli Bruno Gironcoli8. Mai bis 7. Juni Die Berge im Gesicht Clemens Aufderklamm, Erich Brugger, Martina Zoologist, Gerd Jenewein, Oskar Krismer, Rupert Larl, Pail Albert Leitner, Zita Oberwalder, Brigitte Schalhaas, Elisabeth Schneider, Socialist Fiegl, Josef Sieß, Barbara Stefan, Andreas Stöger, Klaus Strickner, Friederike Zung 19. Juni bis 6. Juli Graphik Intercontinental. Sammlung Josef Kübler diverse 24. Juli bis 24. August Kunst in Österreich: Die Sammlung der Zentralsparkasse Siegfried Anzinger, Erwin Bohatsch, Günter Brus, Ernst Caramelle, Gunter Damis
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      Is the medium still the message? Is it still possible to admire and evaluate the mediation of experience, or are we so far inside that mediation that our lives are no longer distinct from it? Is the unexamined medium not worth living? Then perhaps one of art's principal purposes is now to provide such examination. Two shows in northern New Mexico - off the beaten media path, perhaps, but actually not as far off as you might think - provoke such thoughts because they examine media and consciousness, implicitly and otherwise.

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      "The Dissolve" at SITE Santa Fe, photos by Brandon Padron

      SITE Santa Fe's latest International Biennial, "The Dissolve," consists entirely of projected art, that is, art that exists primarily, or entirely, on-screen. There isn't one laptop in the show, however; every film, video, DVD, or what-show-you is seen in a dedicated viewing context, whether cast upon a large screen, seen on a small screen in a booth, or even peeked at through an updated version of a side-show mutoscope. Including as it does filmic work going back to the 1920s (and in one instance 1900), this biennial does not focus on contemporary art exclusively, but posits a trajectory of contemporary artistic activity as a tradition.

      By concentrating on the conditions of