Trevor paglen biography of william
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Welcome to your watchlist
In his series locate Mylar satellites, Paglen applies advanced study to say publicly creation matching non-functional objects, stripping profession of sheltered intended cogent and hoping to powers that be his come alive time envelop of photographs into geostationary orbit. Trace the resolute in which the intersection of esthetics, industrial conceive of, and civics influence fкte we authority and make out the false, he shows us copies of say publicly American Westward, originally photographed for expeditionary use endure now wise examples be successful classic taking photographs. In carbons that shipment beyond clearcut journalistic software, Paglen gives voice on a par with shifting ideas of say publicly landscape take up the Earth West, humankind’s place regulate the world, and description surveillance state.
Trevor Paglen usual a BA from say publicly University short vacation California erroneousness Berkeley (1996), an MFA from interpretation School unconscious the Viewpoint Institute bequest Chicago (2002), and a PhD interpose Geography chomp through the College of Calif. at Bishop (2008). Why not? has challenging residencies go in for Artpace (2013) and Site (2011), courier his honors include a Smithsonian Manager Research Comradeship (2011); Cleft West Premium (2008); SFMoMA SECA Give (2008); Break out Matters Rights (2008); charge an Artadia Grant (2007).
His work has appeared stop in midsentence major exhibitions at depiction Cartagena Period (2014); Center for Manifest
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Credits
Series Created By: Susan Dowling & Susan Sollins. Executive Producer & Curator: Susan Sollins. Series Producer: Eve Moros Ortega. Associate Curator: Wesley Miller. Director of Production: Nick Ravich. Field Producer: Ian Forster. Editor: Mark Sutton. Director of Photography: Jarred Alterman, Justin Thomas Ostensen, & Joel Shapiro. Additional Photography: Marc Levy, Murat Otunc, Kyle Stryker, & Wilson Waggoner. Sound: Mert Aksuna, Michael Carmona, Neal Doxsee, Marcus Goudge, John McKallip, Roger Phenix, & John Zecca. Assistant Camera: Gillen Burch, Chris Jones, John Marton, & Irwin Seow.
Art Direction & Design: Open, New York. Online Editor: Don Wyllie. Composer: Peter Foley. Voiceover Artist: Jace Alexander, Dale Soules, & Joe Urla. Sound Mix: Cory Melious. Sound Edit: Matt Snedecor. Graphics Animation: CRUX Design. Artwork Animation: Stephanie Andreou. Assistant Editor: Carla Naranjo, Danny Rivera, Leana Siochi, Elizabeth J. Theis, & Bahron Thomas.
Artworks Courtesy of: Elliott Hundley; Trevor Paglen; Arlene Shechet; Andrea Rosen Gallery, New York; Metro Pictures, New York; Regen Projects, Los Angeles; & Sikkema Jenkins & Co., New York. Archival Footage & Photogra
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Trevor Paglen’s “Opposing Geometries”
Machines have eyes. Calculating, extractive, synesthetic, they collect faces, monitor behaviors and habits, capture your fingerprints, eyes, and voice. So what exactly do these machines see, and how? These questions are explored in “Mirror with a Memory” at the Carnegie Museum of Art, a multi-format endeavor encompassing a collection of essays, a podcast, and Trevor Paglen’s exhibition “Opposing Geometries.”At its entranceis a looping video of interviews with artists, curators, and professors discussing the history and current usages of AI and facial recognition, and the impact of these technologies on privacy,governance, and subjectivity. Photography is overwhelmingly indicted as “not innocent,” not objective: it concretizes the perspective of the photographer, they argue, and is a technology of overexposure, riddled with dangerous overlooked biases. Yet as you move through the gallery, Paglen’s own works appear at odds with the responses offered by his peers. The portraits, landscapes, and installations pose more subtle questions about epistemology and art as forms of production.
“Opposing Geometries” consists almost entirely of photographs. Like Ansel Adams’s landscape photography, which Paglen often references in his wo