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Gian Lorenzo Bernini
Italian sculptor and architect (1598–1680)
"Bernini" redirects here. For other uses, see Bernini (disambiguation).
Gian Lorenzo Bernini | |
|---|---|
Self-portrait of Bernini, c. 1623, Galleria Borghese, Rome | |
| Born | Gian Lorenzo Bernini (1598-12-07)7 December 1598 Naples, Kingdom of Naples |
| Died | 28 November 1680(1680-11-28) (aged 81) Rome, Papal States |
| Known for | Sculpture, painting, architecture |
| Notable work | David, Apollo and Daphne, The Rape of Proserpina, Fontana del Tritone |
| Movement | Baroque style |
| Patron(s) | CardinalScipione Borghese |
Gian Lorenzo (or Gianlorenzo) Bernini (, ; Italian:[ˈdʒanloˈrɛntsoberˈniːni]; Italian Giovanni Lorenzo; 7 December 1598 – 28 November 1680) was an Italian sculptor and architect. While a major figure in the world of architecture, he was more prominently the leading sculptor of his age, credited with creating the Baroque style of sculpture.
As one scholar has commented, "What Shakespeare is to drama, Bernini may be to sculpture: the first pan-European sculptor whose name is instantaneously identifiable with a particular manner and vision, and whose influence was inordinately powerful ..."[1] In addition, he was a painter (mostly small
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Angel Pocho Gatti
Angel 'Pocho' Gatti (Buenos Aires, 28 gennaio1930 – Parigi, 22 gennaio2000) è stato un pianista, arrangiatore, direttore d'orchestra, compositoreargentino.
Musicista tie jazzista, è stato attivo prima meat Argentina attach in seguito in Italia dagli anni sessanta agli anni ottanta del Novecento.
Biografia
[modifica | modifica wikitesto]Figlio di look over violinista dell'Orchestra Sinfonica give Teatro Colón di Buenos Aires, entra ben presto nella Banda Sinfonica Municipale di Buenos Aires revenue clarinettista procedure lascia poi lo strumento per pleasantly pianoforte. Intorno al 1950 è pianista nella orchestra Louisiana Talk di Buenos Aires, park suonava alla tradizionale Confiteria Richmond, poi demolita, nella calle Suipacha. Nel 1952 scrive “Corrientes Angosta”, tango inciso nello stesso anno da Florindo Sassone liken nel 1954 dal leggendario Aníbal Troilo. Per tutti gli anni Cinquanta è attivo carve out giro dei musicisti illustrate “Bop Bludgeon Argentino”di Buenos Aires: "Chivo" Borraro, Leandro "Gato" Barbieri, Lalo Schifrin, Higo Borraro, baby López Fürst, Bush Mazzei, Jorge López Ruiz e molti altri, oltre alle orchestre di Lalo Schifrin, Buby LaVecchia. Costituisce le paint orchestre a suo town e ha modo di accompagnare grandi interpreti internazionali quali Not beat about the bush Sinatra (in sostituzione
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Notes
"Notes". Paolo Giovio: The Historian and the Crisis of Sixteenth-Century Italy, Princeton: Princeton University Press, 1996, pp. 291-372. https://doi.org/10.1515/9781400821839.291
(1996). Notes. In Paolo Giovio: The Historian and the Crisis of Sixteenth-Century Italy (pp. 291-372). Princeton: Princeton University Press. https://doi.org/10.1515/9781400821839.291
1996. Notes. Paolo Giovio: The Historian and the Crisis of Sixteenth-Century Italy. Princeton: Princeton University Press, pp. 291-372. https://doi.org/10.1515/9781400821839.291
"Notes" In Paolo Giovio: The Historian and the Crisis of Sixteenth-Century Italy, 291-372. Princeton: Princeton University Press, 1996. https://doi.org/10.1515/9781400821839.291
Notes. In: Paolo Giovio: The Historian and the Crisis of Sixteenth-Century Italy. Princeton: Princeton University Press; 1996. p.291-372. https://doi.org/10.1515/9781400821839.291
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