Regina jose galindo biography of mahatma

  • Biography; Biology; Biopolitics; Black Feminism; Blackness Mahatma Gandhi; Mahika Gautam; Majd Abdel Hamid Regina José Galindo; Renata Lucas; Renato.
  • Video Art, Artificial intelligence, USA, Memory, History.
  • Galindo, Regina José, 184.
  • Radwan, Nadia ; Alonzo Gomez, Sarah ; Piniella Grillet, Isabel ; Rosauro, Elena (eds.). No Rhetoric(s). Versions and Subversions of Resistance in Contemporary Global Art. Zurich: Diaphanes, 2023. Open Access: https://www.diaphanes.ch/titel/no-rhetoric-s-6183

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    “’No!Art’and the Aesthetics of Resistance, ” in Beyond Resistance , ed. Robert Fletcher, Nova Science Publishers, (2008) 21- 34

    Rainer Rumold

    The deliberate encounter of the skeletons of concentration camp victims and the pornographic, 5 full-bodied pin-ups on Boris Lurie's dissecting and ruthlessly synthesizing collages! Do these images still shock? In an age of overkill information we are bombarded daily with media images, most recently from Kosokov to Guatemala, that violate our deepest feelings and values, painlessly. We are hurt without pain, it seems, as we lack the time, really the belief in any tangible purpose to consciously absorb and work through these shocks for them to become experience. Hence, to be hon-10 est, Boris Lurie's images shocked me no more nor less than others. Rather, upon opening the NO!art exhibition catalogue published in German in the Berlin of 1995 2 , I was disturbed that I never had seen such images before, that the culture industry had somehow, and for not immedia

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  • regina jose galindo biography of mahatma
  • Raul Zamudio and Juan Puntes

    Curated by Raul Zamudio, Juan Puntes, and Blanca de la Torre

    February 1 – February 21 2016

    White Box, New  

    By GREGORY DE LA HABA, APR. 2016

    "Intolerance is itself a form of violence and an obstacle to the growth of a true democratic spirit."  –Mahatma Gandi

    The exhibition #makeamericagreatagain first transpired in January of this year when White Box Director and Founder Juan Puntes invited independent curator and writer Raul Zamudio to organize a show to fill a time slot unexpectedly vacated in the gallery's schedule. Knowing all eyes would be on the upcoming Republican and Democratic primaries, Mr. Zamudio thought it appropriate and timely to focus on them.  Respected and known internationally, Raul Zamudio enjoys obfuscating boundaries and pushing buttons, and will at all turns, blurr or tweak exhibition structures to fit, enhance, or work in favor of this curatorial agenda. His raison d'être to appropriate Mr. Trump's campaign hashtag #makeamericagreatagain was with the idea, or the intent, of converging a physical exhibition with that of the non-physical entity –yet much larger arena– of social media, where both components would ideally overlap and morph into one another. And from the moment invited guests th