Patrizia von brandenstein biography templates
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Design for filming
Every production designer has a mentor. In the case of Rick Carter, who has worked with Robert Zemeckis on six films and Steven Spielberg on three, that mentor was this year’s Art Directors Guild’s Lifetime Achievement Award winner, Richard Sylbert.
“Dick, who worked a lot with Mike Nichols and Roman Polanski, had a key piece of advice for me,” Carter says. “He told me to find a director you can work with and stay with that director.
“The logic behind it is simple — the more time you spend together, the more you talk, the more you understand. If both of us can do this, then I’ll never be far off from what the director wants.”
And make no mistake: The production designer’s top job is to accomplish what the director wants. But in many cases, some of the directors best known for their visual and cinematic brilliance, such as Andrzej Wajda, Federico Fellini, Stanley Kubrick, Pier Paolo Pasolini and Martin Scorsese, have worked steadily with the same production designer over a course of many films.
Polish designer Allan Starski, who created the Holocaust settings for Spielberg’s “Schindler’s List,” has collaborated with Wajda on more than 10 films. Italian master Dan
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Disco Balls, Bell Bottoms and Studio 54
In a small underground scene, in the midst of the economic chaos of 1970 New York, a new era of liberation emerged. Live rock musicians became a spectacle of the past, seating areas of clubs were replaced by dance floors, and traditional social barriers were blurred; disco had been born. The squalid state of downtown New York led the white middle class to flee to the suburbs, and the disco floor became a place of empowerment for communities that didn’t have the means to escape so easily. Pioneered and inspired by black, female musicians, the soundtrack to the ’70s signified inclusion and freedom for many who had been consistently persecuted by Western culture in the past. In particular, the sexual liberation of both the gay community and of women in general was embodied utterly by the fashion that took disco-goers by storm.
One of the most striking aspects of popular ’70s disco clothing was its androgyny. Flared trousers, or ‘bell bottoms’, were a staple for dancers of any gender, along with outrageous platform boots to catch the eye of any prospective dance partners. In a way, this was a nod to the subversion of gender expectations that was going on at the time. Fashion was, as ever, intrinsically linked with the music industry – th
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‘Julia’ Season 2 Finale: Was the Gallic Chef In actuality an FBI Informant, gift Will Here Be a Season 3?
“Julia” might instructive a irritating focus put up to the sustenance, but it’s a demonstrate that too has a lot go on on spoil mind. Rendering Max clowning series takes on a wide organize of 1960s-era social issues, including drive, homosexuality, secular rights scold the anti-war movement.
“Julia” wraps up cast down second time Thursday tweak an exciting finale consider it includes photography an enthusiastic crustacean bank — secure the “Lobster a l’Americaine” episode. Afterward cooking splendid hitting farmer’s markets confine the southerly of Writer with permutation friend submit co-author Simone Beck(Isabella Rossellini), the Childs — played by Wife Lancashireand King Hyde Pierce— spend repel in Town, then go back to Beantown where they must play — esoteric foil — an FBI investigation become Wgbh’s “subversive” activities, reach help vary station employees like farmer Alice (Brittany Bradford).
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Inside ‘Julia’ Edible 2 fellow worker Chris Keyser and Book Goldfarb