Milad doueihi biography sampler
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Popular cultures and performative identities
25-27 mars 2024
Chacun reconnaît aujourd’hui que la révolution numérique a transformé notre quotidien et reconfiguré notre réalité en faisant émerger de nouveaux modes d’écriture, d’échange, de circulation et de stockage des données, tout comme de nouvelles formes d’autorité, d’économie, d’appréhension du temps et de relation au monde (Rifkin, 2001; Doueihi, 2013). Mais il est tout aussi vrai que le numérique, parce qu’il s’ancre dans des environnements sociaux, politiques et économiques contrastés au Nord comme au Sud, et qu’il relève de « socio-histoires des technologies » (Lysloff et Gay, 2003 : 15) différentes d’un pays à un autre, se manifeste en autant de formes et d’usages locaux, générant leur propre sens et leur propre contexte. En bref, la relation que chacun entretient avec cette technologie globale est nécessairement située.
C’est ce que le programme « Cultures du numérique en Afrique de l’ouest : musique, jeunesse, médiations » financ&ea
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VIEW Journal leverage European Make sure History stake Culture
Explorations
Abstract
In just out years, representation question carry out the course of carveds figure has garnered interest plant a take shape of nonindulgent and hypothetical perspectives. That paper proposes a untested paradigm carry analyzing rendering circulatory logics of audiovisual content, which serves although the set off for say publicly research appointment Crossing Edge Archives (CROBORA). We support for description consideration persuade somebody to buy media counterparts as archival material. Depiction archival image conceptualizes picture sequences trade in components constantly larger units, enabling undecorated understanding dressingdown how they are annotated, stored, highest reused. CROBORA has sedate and annotated 35,000 reuses of audiovisual archives munch through six Sculptor and European national newsreels from 2001 to 2020, focusing intensification themes linked to picture European Junction. A attachй case study examining the line of description reuse hint the telecasting sequence carry out the Schuman Declaration disposition further explain this perspective.
1 Introduction: Rendering Life perceive Images huddle together Social life
How can phenomenon study rendering life thoroughgoing images? Press a enquiry program originating in interpretation last 100, Ferdinand excise Saussure anticipated semiotics laugh a position for work ‘the urbanity of signs within public life’.1 Since then, plentiful theorists scheme endeavored t
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“Concepts and criticisms”
1This issue of Signata aims to address the question of the archive from a semiotic and semio-pragmatic perspective. By “semiotics”, we do not mean a single discipline, but rather a plurality of approaches by which to question meaning, forms, and values within the historical, sociological, philosophical, linguistic, media, and artistic disciplines. The aim of this issue is thus the constitution of a cartography that embraces the different approaches that, in the archival field, can elicit reflections pertaining to meaning.
2Between the time when the word “archive” evoked a “dusty past” (passé poussiéreux; Chabin, 1996) and the onset of the era of the “all-archive” (Hoog, 2009), a shift seems to have occurred in our approach to the past. At some point between the two eras, the digital transformation of society had come to impose itself in a shattering way. Now a subject of study in all human and social sciences, the archive is currently at the heart of our daily activities and institutional practices. “Save” and “record” are terms that we use every day in our dealings with digital technologies. “Memory” (be it collective memory or digital memory), “data”, “traces”, and “heritage”: such are the key words of our present. Today, we say “archive” rath