Mijail mulkay biography of martin
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Alazon und Eiron
Zusammenfassung
Seitdem Niklas Luhmann das Konzept der Beobachtung zweiter Ordnung in Umlauf gebracht hat, sind auch die damit zusammenhängenden Paradoxien ins Blickfeld getreten. Beobachtet man die Wissenschaft kann man das selbst wieder im Medium der Wissenschaft tun; dann bleibt man aber an ihre Prämissen gebunden und reproduziert mit der eigenen Beobachtung das, was man beobachtet. Beobachtet man sie dagegen von außen, sieht man etwas anderes und mehr, als die Wissenschaft selbst sieht, verliert aber die mit ihr gegebene Überzeugungskraft. Diese Paradoxie kann nicht gelöst, sondern nur ertragen werden, wenn es um etwas geht, das in der Selbstwahrnehmung der Wissenschaft eigentlich nicht vorkommen darf: die in ihr verbreiteten Formen des ‚impression management‘, sozusagen ihre Code-spezifische Theatralität.
Vgl. Willems, Herbert/Jurga, Martin (Hrsg.) (1998): Inszenierungsgesellschaft. Ein einführendes Handbuch. Opladen: Westdeutscher Verlag. 273–290. Ich danke Frau Schwanitz für die Erlaubnis zum Wiederabdruck dieses Textes.
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Literatur
Bär, Siegfried (1993): Forschen auf Deutsch: Der Mac
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Cinema of Cuba
Cinema arrived in Cuba at the beginning of the 20th century. Before the Cuban Revolution of 1959, about 80 full-length films were produced in Cuba. Most of these films were melodramas. Following the revolution, Cuba entered what is considered the "Golden age" of Cuban cinema.[citation needed]
History
[edit]After being popularised by the brothers Louis Jean and Auguste Marie Lumière, the cinematographe traveled through several capital cities in different American countries before arriving in Havana, which occurred on January 24, 1897. It was brought from Mexico by Gabriel Veyre. The first presentation was offered at Paseo del Prado #126, just aside the Teatro Tacón. Four short films were shown: Partida de cartas, El tren, El regador y el muchacho y El sombrero cómico. The tickets were sold at a price of 50 cents, and 20 cents for kids and the military. Short after, Veyre performed a leading role in the first film produced in the island, Simulacro de incendio, a documentary centered around firemen in Havana.
In this first phase of introduction there were several locations devoted to cinema: Panorama Soler, Salón de variedades o ilusiones ópticas, Paseo del Prado #118, Vitascopio de Edison (in the famous Louvre sidewalk). The Teatro I