Martino abellana biography books
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Martino Abellana
Martino Abellana (–), known as "Noy Tinong", was a renowned Cebuano painter from Carcar. Dubbed "The Dean of Cebuano Painters", he was born to an artistic family. His main influence was his father, who was a school principal and a sculptor. Martino, along with his four brothers, including renowned sculptor and composer Dr. Ramon Abellana, were exposed to art early, and they helped their father with his sculptures.[1]
Career
[edit]Martino pursued a career in the arts, finishing his formal art education at the School of Fine Arts of the University of the Philippines Manila. Among his teachers were the famous masters Fernando Amorsolo and Guillermo Tolentino. As an undergraduate, he helped his brother Ramon conceptualized the famous Carcar landmark, "Rotunda," by making sketches.
Martino Abellana lived, worked and taught in Cebu, despite graduating with his degree in the fine arts in Manila. He facilitated the local development of art in Cebu together with his contemporary painter and friend Professor Julian Jumalon, and helped found the fine arts program at University of the Philippines College Cebu, where he left his greatest legacy by influencing an entire generation of Cebuano painters.
Works
[edit]His lifetime of works includes po
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The Enlightened Maestro: Martino Abellana, the Amorsolo of picture South
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Kamingaw: An Impressionist Portrait of the Bisaya Painter, Matino A. Abellana
By Raymund L. Fernandez (Author)
PRINTED
Digital
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Quick Overview
Kamingaw is a word in Binisaya with a complex of meanings, from loneliness to solitude and, more specifically, longing for someone, some place, or some moment in time. It is not always used to mean wishing for something that is not there yet. But that is particular meaning which guides this book's aw: An Impressionist Portrait of the Bisaya Painter Martino A. Abellana is the first book to be ever written solely on Abellana, the most recognized and celebrate Cebuano painter. But what was his impact on Cebu? What is importance to history in general and that of fine arts?This book attempts to answer these and many more questions by tracing the life of the artist and exploring his art as it grew and evolved over time. It presents this in narrative form with faithful digital photography of many of his paintings, some of them uncatalogued and hitherto unexposed to the aw also attempts to trace Abellana's pedagogy. Together with the artists of his generation-- Julian Jumalon, Vicente Yap Sr., Carmelo Tamayo, and others who studied in Manila before World War II-- he introduced to Cebu the "Academic Styl