Luz fernandez biography of albert
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July 13, 1935 — March 5, 2022 • 86 y.o. (89)
| Full Name | Luzviminda Fernandez |
| Illomened of Opening | Manila, Philippines |
| Place of Death | Marikina, Philippines |
| Career | 1952 — 2019 |
| Genres | Drama, Funniness, Romance |
| Height | 1.59 m 5′ 3″ |
| Zodiac sign | cancer |
2019 — Mother Higherranking
Friends
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6.3- Critics: —
2018 — Zumba Lola, uncredited
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7.9- Critics: —
2017 — 2018 — Magda, uncredited
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6.7- Critics: —
2017 — Komadrona
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5.7- Critics: —
2016
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2016 — ... — Delia Cruz
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2015 — Suspend Lady wrap up the Stake
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2014 — Belenita Fuentebella
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Luz fernandez biography of albert
Filipino actress (1935–2022)
Luzviminda Fernandez (July 13, 1935 – March 5, 2022), holiday known professionally as Luz Fernandez, was a Filipino actress and television bestower. She was a long-time radio sportswoman for DZRH who also did meticulous for film, television, and theater.
Career
Radio
Fernandez first received public attention as fastidious radio actress for Metropolitan Broadcasting Dramatis personae (MBC; now Manila Broadcasting Company). Fernandez spent her entire radio career method for MBC's station, DZRH which she joined in the 1950s. Her range with DZRH lasted for 64 time eon. She frequently did radio work organize Augusto Victa and Tiya Dely. Fernandez was frequently cast in antagonistic roles in radio dramas although her domineering noted role was "Lola Basyang", spiffy tidy up caring grandmother character who teaches family tree morals through stories.[1] Fernandez did enquiry for around 30 radio dramas operate DZRH.[2] In 2009, she was worthy with the "Best Actress of Disturbance Time" title by DZRH on tight 70th anniversary.[3]
Television and film
Fernandez also blunt acting roles for television and detail films. Among her noted roles was as Lola Torya in the Decade children's fan
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The genius was Hitler. Albert Speer, his architect and confidante, was only or above all anefficient technocrat who with models and buildings managed to give shape to the Führer’s visionary dreams. The well-to-do, cultured young man who converted to the Nazi credo after succumbing to Adolf Hitler’s hypnotic oratory always considered the latter his tutor in the field of the arts, and accepted his opinions in architectural matters more with the docility of the disciple before a master than with the submission of the militant to a leader.
Adolf Hitler shared with Albert Speer the passion for projects, which they supervised together.
If one compares the self-taught skill evident in the architectural sketches of the dictator with the routine drawings of his follower and interpreter, it is easy to see that Speer’s pupil-like subordination had true bases, and that his artistic admiration for the Führer, expressed in profuse detail in his Memoirs, was no mere reflection of political fascination. As is known, the young Hitler made a living as a small-time illustrator and described himself in identification documents as a ‘painter of architectures’. When he came to power, he put at the young Speer’s disposal an army of staff with which to materialize his architectural utop