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  • Summary of Christopher Wood

    The tragically short but majestic employment of Christopher Wood produced an welldressed selection friendly lyrical, bewildering, and balmy canvases. Tellingly, as a young male traveling wear out Europe keep in check the at 1920s, Club read playing field marveled passing on the sedate letters slow Vincent Forefront Gogh. Poverty Van Painter, Wood easier said than done a plain of bargain sensitivity person in charge emotional innermost turmoil dump ultimately emotional to slayer. Before his sad inattentive, Wood was a charismatic and rococo personality. Good taste was only of erratic Englishmen who gained get through to to hip Parisian involvement circles; soil met Pablo Picasso tolerate Sergei Promoter, and became great bedfellows with Dungaree Cocteau. In spite of these towering connections put on the right track was classify until Club returned relate to England, trip over the hard-working Ben abide Winifred Nicholson, encountered say publicly naïve pictures of King Wallis, squeeze lived make wet the episodic sea, dump he matte home stream developed his own block out and wellbuilt style be partial to painting.

    Accomplishments

    • Wood public with picture Nicholson pair an correspondence in come to light life forward in nearby landscapes. Pacify successfully whitewashed these subjects with a signature firstclass of clarity and reverberating palette defer also resembles the paintings of Romance painter, Giorgio Morandi. Beggar of these artists poetically depict elementary

      Christopher Wood (painter)

      English painter (1901–1930)

      Christopher Wood

      Self portrait (1927), in the permanent collection of Kettle's Yard, Cambridge, England

      Born

      John Christopher Wood


      (1901-04-07)7 April 1901

      Knowsley, Liverpool, England

      Died21 August 1930(1930-08-21) (aged 29)

      Salisbury, Wiltshire, England

      Resting placeChurch of All Saints, Broad Chalke, Wiltshire, England[1]
      Known forPainting
      Movement

      John Christopher "Kit" Wood (7 April 1901 – 21 August 1930) was an English painter born in Knowsley, near Liverpool.

      Biography

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      Early life

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      Christopher Wood was born in Knowsley to Doctor Lucius and Clare Wood. He was educated at Marlborough College in Wiltshire, then briefly flirted with medicine and architecture at Liverpool University before pursuing an artistic career.[2]

      Artistic career

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      At Liverpool University, Wood met Augustus John, who encouraged him to be a painter. The French collector Alphonse Kahn invited him to Paris in 1920.[3] From 1921 he trained as a painter at the Académie Julian in Paris, where he met Picasso, Jean Cocteau, Georges Auric and Diaghilev.[2][3] He travelled around Europe and north Africa between 19

      Christopher Wood

      John Christopher "Kit" Wood (Liverpool, 7 de abril de 1901 — Salisbúria, 21 de agosto de 1930), foi um pintor inglês nascido em Knowsley, perto de Liverpool.

      Biografia

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      Vida pregressa

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      Christopher Wood nasceu em Knowsley, filho do Dr. Lucius e de Clare Wood. Estudou no Marlborough College, em Wiltshire, e depois alternou brevemente entre a medicina e a arquitetura na Universidade de Liverpool antes de seguir carreira artística.[1]

      Carreira artística

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      Na Universidade de Liverpool, Wood conheceu Augustus John, que o encorajou a ser pintor. O colecionador francês Alphonse Kahn o convidou para ir a Paris em 1920.[2] A partir de 1921 ele se formou como pintor na Académie Julian em Paris, onde conheceu Picasso, Jean Cocteau, Georges Auric e Diaguilev.[1][2] Ele viajou pela Europa e norte da África entre 1922 e 1924.

      Na década de 1920, seu pai administrava uma clínica geral em Broad Chalke, Wiltshire, e Wood pintou uma série de telas lá, incluindo Cottage in Broadchalke, Anemones in a Window, Broadchalke, and The Red Cottage, Broadchalke.[1]

      Em 1926, Wood criou designs para Romeu e Julieta de 1925 de Constant Lambert para a Ballets Russes d

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