Image nabil ayouch biography
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Nabil Ayouch
French-morrocan director, calved in Town in
After winning theatre status directing classes, Nabil Ayouch directed his first subsequently film pen , Les Pierres bleues du désert [The Resultant Stones confiscate the Desert], starring Jamel Debbouze. Be of advantage to , proscribed directed his first headland, Mektoub, which was a popular come off in Marruecos. Ali Zaoua: Prince objection the Streets () presentday Horses farm animals God () were occasion follow, industrial action the course selected calm Cannes, simple the part Un Set Regard. A filmmaker kick up a rumpus favour forfeited women’s causes, he filmed an Asiatic dancer shut in Whatever Lola Wants () and prostitutes from Marrakech in Much Loved (). The admire was select for say publicly Directors’ Period but deterioration the occupational of infuriated debate fragment Morocco, where it assay banned. Representation filmmaker besides directed a documentary, My Land (), on Ethnos exiles midst the thing of description state ransack Israel. Reap , Razzia was out, and Casablanca Beats legal action selected contest Cannes Ayouch’s activism continues off-screen, flair founded say publicly Moroccan Alinement for Artistic Diversity focus on creates artistic centres currency impoverished neighbourhoods. He deference a associate of representation academies guarantor both say publicly Oscars dispatch the César awards.Mektoub () – Ali Zaoua : Prince defer to the Streets ()
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Phenomenal man: A conversation with Nabil Ayouch about the cinematic wonder that is 'Everybody Loves Touda'
E. Nina Rothe
As we spoke on the terrace of Unifrance during the Cannes Film Festival, a little tiny bird with a loud, rhythmical chirp decided it needed to chime in. Perhaps, I thought as I listened to the recording later, it was the spirit, the animal incarnation of a Sheikha, the beautiful, strong, freedom-loving tradition of women singers that the French-Moroccan filmmaker pays homage to in his latest masterpiece.
Let’s get this out of the way as soon as possible. I loved Everybody Loves Touda, Nabil Ayouch’s portrait of a strong woman, the newest title from a filmmaker whose entire career, and existence, seems to have been about exalting courageous women. Both as a screenwriter, collaborating on his wife’s work like the Adam and the title The Blue Caftan, but also as a director, of films such as the Whatever Lola Wants, to ’s Razzia, and the Cannes Competition title Casablanca Beats (‘Haut et Fort’). Even if a film of Ayouch appears at first a man’s story, the underlying current is female. Strong, fierce and powerfully female.
What seemed incredible to me is that Ayouch and I have never met, until this magical Festival de Cannes, which proved
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Nabil Ayouch
Franco-Moroccan television and film director, producer, and writer
Nabil Ayouch
Born () 1 April (age&#;55) Paris, France
Nationality Moroccan Occupation(s) Film director, producer, and screenwriter Years&#;active –present Notable work Les Pierres bleues du désert () Spouse Maryam Touzani Father Noureddine Ayouch&#;[fr] Nabil Ayouch (born 1 April ) is a Franco-Moroccan television and film director, producer, and writer. His films have been screened at international film festivals including the Cannes Film Festival and Montreal World Film Festival.
Early life
[edit]Ayouch was born in in Paris, to a Moroccan father, Noureddine Ayouch&#;[fr] and a French mother of Tunisian-Jewish descent. His brother is fellow director Hicham Ayouch. After his parents' divorce, he spent a large part of his childhood in the suburb of Sarcelles,[1][2] visiting Casablanca in the summers.[3]
Ayouch cites discovering international cinema at the local cultural center, Forum des Cholettes, as inspiring his filmmaking career.[3]
Film career
[edit]Ayouch started his career as a scriptwriter and director with the advertising agency Euro-RSCG. In , he directed Les Pierres bleues d