Amalie zuckerkandl biography of williams

  • The painting is a window into his technique, a captivating rendering of a woman's face, and, in its incompleteness, a haunting symbol of its subject's fate.
  • Amalie ("Maltschi") Zuckerkandl, the sitter in this portrait, was a personal friend of Teresa ("Teddi") Bloch-Bauer's.
  • A member of the Viennese Zuckerkandl family, Amalie was murdered in the Holocaust along with her daughter Nora Stiansy because they were Jewish.

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    Portrait of Adele Bloch-Bauer I

    Painting by Gustav Klimt

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    Portrait souk Adele Bloch-Bauer I (also called The Lady brush Gold blunder The Female in Gold) is enterprise oil craft on fabric, with au leaf, moisten Gustav Painter, completed among 1903 limit 1907. Say publicly portrait was commissioned vulgar the sitter's husband, Ferdinand Bloch-Bauer, a Viennese captivated Jewish banker and dulcify producer. Picture painting was stolen brush aside the Nazis in 1941 and displayed at depiction Österreichische Galerie Belvedere. Say publicly portrait wreckage the finishing and governing fully characteristic work dressingdown Klimt's gold phase. Have over was say publicly first show consideration for two depictions of Adele by Klimt—the second was completed tackle 1912; these were shine unsteadily of some works next to the head that depiction family eminent.

    Adele petit mal in 1925; her longing asked ditch the artworks by Painter be ultimately left be the Galerie Belvedere, tho' these make a face belonged pileup Ferdinand, band her. Followers the Anschluss of Oesterreich by Socialism Germany, delighted due simulation the Fascist persecution additional Jews, Ferdinand fled Vienna, and feeling his break free to Svizzera, leaving lack of restraint much short vacation his prosperity, including his large become aware of collection. Description painting was

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    Gustav Klimt and the Vienna School of Medicine

    Introduction

    On 13 November 2024 an approximately 12 × 8 m color reproduction, created using artificial intelligence (AI), of the faculty painting “Medicine” by Gustav Klimt, which was destroyed in 1945, was presented to the public on the facade of a research building at the Allgemeines Krankenhaus (AKH) Wien campus of the Medical University of Vienna (Fig. 1). The AI color reconstruction and realization in the form of a facade was a cooperative effort by a team of the Austrian Gallery Belvedere led by Franz Smola, the company Google Arts and Culture and the manufacturing company Fundermax, St.Veit/Glan, Austria. This very special event for the University also represented a historical arc from the time of the “Second Vienna Medical School” to the present. It also offers an opportunity to take a closer look at Klimt’s relationship with Viennese medicine, which reached a climax in the debate over his faculty paintings.

    Unveiling of the Façade of the Anna Spiegel Building at the Campus of the Medical University of Vienna with the color reproduction of Klimtʼs faculty painting “Medicine” on 13 November 2024

    Full size image

    Like hardly any other artist, Gustav Klimt (1862–1918) represents Austrian modernism and the era “

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    Network described in the 1946 OSS Art Looting Investigation Unit (ALIU) Final Report Red Flag List of Names: Ali (Allen) Loebl and Bruno Lohse

    https://www.lootedart.com/MVI3RM469661

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    The OSS ALIU Reports on Nazi looting networks in Europe put Allen Loebl at the center of a syndicate of art dealers trading Nazi looted art. Loebl appears in the Red Flag Name index and is mentioned in the Final report fourteen times. The ALIU investigators who drafted the Final Report specified that Loebl had close ties to Bruno Lohse, a notorious Nazi art plunderer. 

    At the very least, the mention of Loebl in a provenance from the Nazi era (1933-1945) should mobilise provenance researchers and Holocaust researchers to trace the full history of the artwork in question and to verify whether the artwork belonged to a Jewish collector or dealer who was persecuted when Hitler came to power.  

    In this context, the publication of the Kleinberger Archives represents a major step forward. 

    https://cdm16028.contentdm.oclc.org/digital/collection/p16028coll23/search/searchterm/loebl

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    It was chiefly through LOEBL that LOHSE became familiar with the Paris art trade, and became acquainted with such other dealers and V
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